Before working with generative tools, Agata spent years crafting films through editing, compositing, motion design and visual effects - developing a deep attention to detail and a fascination with light, texture and uniqueness of every frame.
The longer an image is worked with, the more becomes visible between one shot and another. A fraction of movement, a shift in light, a tiny detail, this is where craft lives.
The nicest compliment is when someone looks
at the finished image and asks “but where did you actually work on it?".
By then, the decisions have disappeared into the picture - a precise movement of the Wacom pen,
a technique chosen almost instinctively, years of practice turning into the freedom to find the right solution for every frame.
The constant is storytelling.
The tools follow the emotional logic of the film - never the other way around.
